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Well, what I feared has become reality. The majority of the concert scene in this episode consist of mostly static stills of the orchestra members. I guess it was unrealistic to expect a full-on animated orchestra but I was hoping to see some hand movements at the very least. Unfortunately there was none of that in this episode. The problem with this is that it diminishes the effect of the orchestra performance. Beethoven's 7th Symphony is supposed to be grand and yet it comes across as a background music coming out of CD here. I do appreciate that I can sense some dissonance within the individual players when Chiaki was conducting the orchestra. However, the sound was very faint and unless you listen closely, it's hard to distinguish the performance which was conducted by Chiaki and the one conducted by Strezemann. On the positive side, the comedy remains enjoyable as usual and there are some creative use of animation technique.
The episode begins with Nodame punching Strezemann unconscious in response to his request for a kiss. Chiaki is shocked to see this since he didn't expect Nodame to hit the guy but Nodame claims that Strezemann grabbed her all of a sudden. While checkin on the old man's condition, Nodame finds out that Strezemann is due at a rehearsal. Speaking of the rehearsal, some members of the S Orchestra are fed up with having to wait for Strezemann and are preparing to leave. However, before they can leave the room, Nodame appears to tell them that Strezemann is not well and therefore Chiaki will take over the conducting duty for today. Upon finding out about this, the orchestra members wonder if Chiaki can conduct. Chiaki asks Nodame which song the orchestra is supposed to perform and finds out that it's Beethoven's 7th Symphony. Chiaki suddenly remembers that he recently listened to the song on Viera-sensei's CD.
Some of the orchestra members including Mine are excited to know that Chiaki will conduct the orchestra. Mine even leads everyone, telling them that they need to tune up first. Chiaki is exasperated upon hearing Mine's violin because he's way out of tune. He also wonders why Mine acts like a Concert Master. Much to his surprise, Mine tells him it's because Strezemann had selected him to be the Concert Master. The other members immediately voice their disattisfaction with this news but Mine takes it all in stride. Despite his doubt, Chiaki eventually agrees to become the conductor. He immediately receives warm welcome from the female orchestra members, who willingly lend him their baton since he doesn't have one yet. The other members, however, are not so happy with Chiaki's popularity and think that he is incapable of conducting. Chiaki himself realises that although he's just filling in, he can't pass up the chance to be a conductor.
Meanwhile, Nodame tries to carry Strezemann on her back with the intention of taking him to the concert hall so he can see Chiaki conducting. Unfortunately for Nodame, she ends up getting groped by Strezemann instead. At the same time, Chiaki finds out that the orchestra that he's supposed to lead is quite bad. He understands that it's only the first rehearsal but he doesn't understand how these people can make Beethoven sounds so bad. Eventually he comes to the conclusion that Strezemann simply chose awful players from within the school. After the first attempt, Mine suggests to everyone that they should play the song in a grandiose manner. In response Chiaki whacks Mine with his baton, telling him not to suggest that kind of thing at his level. He points out that Mine made mistakes all over the place even though a Concert Master should not be messing up the orchestra. After dealing with Mine, Chiaki starts to criticise everyone in the orchestra.
One of the Clarinet players is unhappy to be criticised by Chiaki in front of a girl that he likes. This sentiment is echoed by the Oboe player, who thinks that Chiaki just pointed out mistakes that everyone can notice easily. Because of this, the two decide to work together to humiliate Chiaki. Chiaki, on the other hand, tries to convince himself that his feeling on everyone's technique is not important. Because of this, he tries to give instructions to every single player in the orchestra. Nodame seems impressed with Chiaki's ability to recognise every single instrument in the orchestra but Strezemann doesn't see to share the sentiment. At the same time the Oboe and Clarinet players have decided to switch their part in order to embarass Chiaki. They think that Chiaki won't be able to distinguish the sounds, which turns out to be completely wrong. Chiaki becomes even more angry and frustrated and eventually gives up trying to lead the orchestra.
All of a sudden Strezemann stands up and tells Chiaki that he's failed so he would now takeover as the real conductor. Chiaki is unhappy to hear this and wonders why Strezemann thinks that he's failed. In response Strezemann points to a girl, telling Chiaki that he made a girl cry and that made him a failure. With that said, Strezemann encourages everyone to play again from the start. He first tells Mine not to worry abou his bowing technique but to play it happily like he always do. In general, Strezemann also tends to be kinder to the rest of the orchestra members while still tell them what they need to hear. While Chiaki hears the orchestra playing again, he continues to think how something like Reed and one's own well-being is everyone's responsibility so he thinks it doesn't excuse anyone for being awful. Having said that, he admits that when Strezemann conducts the orchestra he respects music and the people so they respect him back.
The next day, Chiaki comes up with another transfer request letter which Strezemann promptly tear apart as usual. Chiaki, however, is prepared and tells him that he's going to keep giving them to Strezemann until he accepts Chiaki as his pupil. Much to Chiaki's surprise, Strezemann tells Chiaki that the guy doesn't need to transfer in order to become his pupil. He thinks Chiaki's talent is wasted by being Viera's pupil. However, he thinks Chiaki should continue in Piano course and when he's not doing the course, he should try to be by Strezemann's side. With that said, he invites Chiaki to come with him to Shibuya because he knows girls will come to him if he goes with Chiaki. Nodame suddenly barges in to protest this, asking Strezemann what kind of pupil he wanted Chiaki to be. She then declares that she's not going to let Strezemann gets Chiaki. Much to Nodame's surprise, Strezemann is happy because getting Chiaki means getting Nodame as well.
Impression:
If there is one thing that J.C Staff does well is animation technique. Although it's a minor thing, for some reason I was quite pleased when I saw this shot. I just thought it's quite funny and works well within the scene. I am also surprised to know that they managed to stretch what is essentially one short chapter into a half hour episode. This would have work so much better if, as I said before, the animators had the budget to animate the movement of the players. As for the story, this is the part where I thought Chiaki is a big jerk and a half. I've met people who behave like Chiaki in the first half of this series and they are not the most pleasant people to be with. Since he has the talent, he often forgets that other people have to work hard in order to get to the same position that he is right now. Chiaki is also the kind of person who command others based on fear instead of respect. At least in the first half of the series.
Although such methods often work, the people who work for/with him usually only agree to do so due to fear (of being reprimanded or kicked out of the orchestra). This is a very different method from Strezemann, who knows how to deal with people and try to understand their situation. As a result, people actually respect him and wants to do the best for him. As someone who's been working for both types of leader, I feel that a person in power (manager, supervisor, conductor, etc) has to lead by understanding those that he tries to lead as opposed to instilling fear on them. At the end of the day, people would be far more willing to put the hard work if they feel that you respect and care about them. I think this is one part of Chiaki's character development that is not complete yet even in the manga version. He's improved a bit since he first met Nodame but in general his character needs to learn to be more humble than he is now.
Preview
On next week's episode: Sakura (Noto Mamiko) makes her first appearance.
>> http://www.designchronicle.com/memento/images/nodamecantabile/anime/05/nodame0512LG.jpg
The animators over-exaggerate Nodame's assets. I can't remember hers being that big in the manga.
...she's tiny...and hungry...and oh so cute...and plays a concert base...
...yeah and she's voiced by Mamiko Noto...
...I just can't wait...
This series needs more H&C style background because it's a bit too plain at the moment. This is one of those times where I wish the animators would stray a bit from the manga.
We heard the opening moment of Beethoven's 7th three times. The first time was a torture for me as pitches were bad and timings between parts were way off. The Big mistake in the anime came from the 2nd go. It started bad, but not as bad as 1st, some improvements can be heard, but not much, but the mistake was that the playing got better as it progressed, instead of getting worse as in the story. The 3rd time, with Strezzeman, was passable. It was not inspiring, but there wasn't any big mistakes: just what you expect from 2nd rate orchestra. The pitches and timing was much better at the 3rd time.
Now, could a conductor really make that much difference: surprisingly, yes. I saw it first hand, when I sang in a choir for the graduate school conducting majors, where just by some change of beat pattern, what was bland and impricise by the student sounded a world different when we sang under the direction of the instructor: The key change here was, while the student did standard (1+1+1=3)/4 beat, the instructor did the (2+1)/4 beat, where the first motion is for the first two beat and the second motion is for the third beat of the measure. This change noticeably raised the energy level of all the singers, immediately, for many of the measures were written in 2+1 style.
Unlike the drama, the anime shows Chiaki making more first-timer mistakes. Too bad we couldn't see the hand movements.
The majority of the concert scene in this episode consist of mostly static stills of the orchestra members.
Garten,
I'm suprised that you would be disappointed with the static stills. You knew this was coming, but you refuse to accept it. I'll list the main 2 reasons why it was inevtiable for this episode...
1) Fixed budget. It was farily obvious. No matter how popular an anime is, there is always a fixed budget for it. Furthermore, people forget that there is a deadline for each episode to be made. It is not easy for a production team to focus on little details constantly
2) Possibly saving it when necessary. Garten, I know you read the manga and watch the drama. You should know why they made this stand stills...I will explain it the spoiler below
Never believe that your fear is coming true until you see the real deal appear in future episodes.
For a series called 'Nodame Cantabile', I sure see more of Chiaki than Nodame. I hope this will change soon.
I agree that there needs to be an effort to fix the music within the series. They seem rather low budget at this point in time. I don't understand why they don't just use the music from the live action.
Streseman looks a lot more normal in this anime. I always shudder at the character's choice of clothing in the dorama. In here though, he actually looks normal. Apart from the fact that he's a pervert.
When the group started to play Beethoven Symphony No. 7, I can hear Mine's part went wrong on its own while the others play the way it's supposed to sound. But then as the scene focuses on other characters, you can hear the other character's mistake as well.
I don't think the anime tries to illustrate Chiaki detecting the mistake of his orchestra members one by one. But in the real world, you'd normally hear the mistake all at the same time.
I obviously a noob in music since I can't detect the difference of the two version of Beethoven.
I am not really fuss about it being good or not though since I'm mostly just in this to see Nodame and her antics.
It's rather disappointing that we don't get to see full hand movements but as Kyouya pointed out, we'll probably see it during the actual concert.
Mine is quite different in this version. In the LA he looks like he has a slight crush on Chiaki. I kind of suspected it was Eita's take on the character but I was hoping it'd get carried over to the anime as well.
I don't understand the decision of the animators to exclude several funny scenes (Nodame stealing her friend's lunch) and extending one rather boring chapter instead. Plus, I miss the kotatsu scene and judging from the preview, they would jump straight to Sakura's story.
>> I don't understand the decision of the animators to exclude several funny scenes (Nodame stealing her friend's lunch) and extending one rather boring chapter instead. Plus, I miss the kotatsu scene and judging from the preview, they would jump straight to Sakura's story.
As long as the missing stories end up on DVD, I'm fine with it. I'd only have problem with them if they decided not to animate them at all. I highly doubt that will be the case because the kotatsu story was one of the funniest scenes in the show.
This is not exactly related to the episode but it's still about the series. Does anyone know what kind of a book this one is? I want to buy it but I don't understand what's in it. Are there any pictures in it?
I started watching this series through the live action and since Tamaki Hiroshi is so hot, I didn't have the problem with the fact that his character is a jerk and a half. But here on the anime, I realise that he really is a jerk that is hard to like unless he change real fast.
I forgot to say thank you for screencaping and writing the summary. It really helps to ease the waiting period until the next sub version comes out.
Meggidodimus,
That link you posted is a character book for Nodame Cantabile. It gives you information about the characters, plot and such to help you understand the series with more depth.
Anyway, the reason why I am posting again is that I forgot that I am currently watching another anime based on music. That anime would be Kin-iro no Corda -Primo Passo-.
Why did I bring this up? Well, the hot topic of this week's episode was that there was no movement in the practice orchestra.
Here is what -Primo Passo- did right in terms of demonstrating the characters playing their respective instruments. The production team managed to mix in still and full motion beauitifully.
The reason why people are disappointed that full motion was not applied into Nodame Cantabile is because it is just too demanding. In -Primo Passo-, they focused the full motion on individuals rather than groups. I can see why it wasn't as applied as much even when Nodame was playing the piano. Keeping the pace of drawing to the piano takes up a lot of effort and money. In -Primo Passo-, they have a character who plays the piano. They were unable to show the exact keys he was playing. Instead, they decided to make full use of the character's movement as to how and where he should play in the piano, which I think is a brilliant adjustment. It all depends on which instruments are played that the production team can make use of full motion.
I don't know what J.C. Staff's budget for this anime...so only time will tell if we will ever see full motion in future episodes.
Thank you for the information Kyouya. I decided to order the book since it's kind of cheap anyway.
I actually have lost a lot of interest in this series, possibly because I need a break from it after reading the manga and watching the liveaction version of it, which was very well done. However, Sakura is my favorite character in this series, so I'm looking forward to the next episode.
The orchestra scene turned me off lots, because I was reminded of the liveaction.
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