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Well, this is it: the penultimate episodes of Haibane Renmei. The question that is on everyone's mind is of course, whether or not these episodes manage to wrap up the series in a satisfactory manner. Well, to me, to a certain extent it did and in some ways, it didn't. This is because there are questions in this series that don't have the answer that can satisfy any viewer due to the nature of the questions themselves. At the end of the day, for example, no one can tell you whether or not God exists, and for that matter, the concept of Heaven and Hell are not going to be accepted by all individuals. I feel that is why Haibane chose not to answers some of the questions that are closely related to this kind of issues, for there is no answer that will satisfy anyone. But if you leave it open to interpretation, then everyone will be able to take their own experiences and beliefs and apply it to what they've seen thus far in this series.



Anyway, episode eleven starts off with Rakka taking one of the little Haibanes called Dai to visit the abandoned factory. During the trip, Dai made a point of mentioning the fact that Reki looks a bit distant and gloomy these days. Rakka who agress with the young Haibane is then resolves to find out how she can help Reki. The two finally arrives at the abandoned factory and they are greeted by the Haibanes who live there, including Hyohko and Midori. While Hyohko teaches Dai to play a skateboard, Rakka has a brief conversation with the Haibane girls from the abandoned factory. It turns out that it's been a while since the Haibane from this place actually made a contact with the Haibane from the old house, mostly due to the 'old incident' involving Reki.
Rakka, who doesn't know anything much about this particular incident is then informed by Midori that at one point in the past, both Reki and Hyohko plans to run away from the city and their attempts resulted in Hyohko getting injured. This incident has ever since incite Midori's wrath who thinks that Reki was being selfish in involving Hyohko in her problem. After hearing the story, Rakka seems unable to concentrate on her job inside the Haibane temple. At one point, she is oblivious to the fact that the little boat that she uses to travel from one tomb to another through a small ditch, has suddenly drifted away. When she realises what happened, she ends up running and jumping into the boat and is unwittingly taken into a location that she never went into before. Here, she finds a tomb full of writings and is able to hear the sound of children laughing and singing gospel songs.
Upon getting out of the tomb, Rakka is greeted by the Haibane communicator who's been helping her thus far. He tells her that there aren't much time left for Reki to be in this town and yet sadly she has no one who can help her. He tells Rakka that a Haibane that doesn't get their day of flight can sometime stay in the town but they'll lose their halos and wings and must live in seclusion. The two then part ways with Rakka getting worried about Reki's future. The next day, Rakka ends up going to the town's library because she has to inform Nemu's employer that Nemu is sick and therefore can't come to work. During her visit, however, she noticed a small book-like fossil on display on top of the table. The fossil is engraved with similar language that Rakka saw underneath the temple the day before.






Sumika, Nemu's co-worker and friend explains to Rakka that the fossils' origin is unknown. Rumour has it that there was a ruin deep in the western woods a long time ago and this fossil was burried inside a stone. She comments that whatever this item originally was, it seemed to have been turned into a stone by some kind of force. Unfortunately, Sumika does not know the meaning of the words engraved in the stone either. However, she believes that the patterns were of ancient text/drawings made by humans. On her way back to the old home, Rakka meets again with Reki and the two walks together back to their residence. During the trip, Rakka realises that Reki has been hiding her pain in her laughter all of these times and tells her that she wish they could always be together. Reki, however, tells her that there is no 'always' and that sooner or later people will part because that's a natural progression of life. The episode ends with Reki telling herself that it's time to end it all.
Episode twelve starts off with all of the old home Haibanes taking the trip to the city to take a look at and possibly purchase some of the newly picked 'Bellnuts'. These are basically some kind of a ring made out of a seed of a plant which you can use to express your feeling. Each colour has a different meaning. For example, the red one is for thank you, white is for asking forgiveness, yellow is for love, etc. During the trip Reki meets with Hyohko who's been tailed by Midori and the two are surprised when Reki gives them a white nutbell telling them that she's sorry for all of the problem she's given them and that she has to give them this now because she can't give it later on. Anyway, it's here that Midori tells Rakka of what actually happened a couple of years ago. Apparently in their attempt to escape the town, Hyohko had the idea of using the stairs to climb the wall. But while attempting to destroy the wall, he was severely injured. Here, we get the impression that there are more to Midori's anger to Reki than just the incident. It seems that Midori has some kind of one-sided affection for Hyohko, who seems to prefer Reki.
After telling both Hyohko and Midori that she'll help Reki no matter what, Rakka goes back to work inside the Haibane temple and once again starting to hear laughter coming from a tomb and recognises the sound as Kuu's. She then informs this incident to the Haibane communicator, who is surprised when Rakka shows him a sign by using her hand and inquires if the sign is Kuu's tag name. The Haibane communicator explains to Rakka that the sign is indeed Kuu's but it has a different Kanji and meaning to it. The letter does not mean 'Air', the name that the Haibane given to Kuu but rather another name with the same sound (Kanjis often have the same pronounciation but with different writing and meaning). He adds that this is a proof that the Haibane who had gone beyond the walls attained a true identity and therefore the name tag hanging from the wall of the temple has changed into the true name.






The Haibane communicator then points out an example by giving Rakka a box containing her name tag. The kanji written on the cover of the box says 'Rakka', which means 'to fall'. However, when Rakka opens the box, she finds her name tag, 'Rakka', which means 'an meddling nut'. The Haibane communicator explains that just like a nut, Rakka at first shut herself off from others but then eventually open herself up and reaches out to others. Unlike Rakka, however, Reki can't remember her true name because she shuts herself off ever since the incident with Hyohko. According to him, climbing the wall is considered a sin (although it's never mentioned why) and she was deemed guilty. Hearing this, Rakka wonders why is it that only Reki can't be forgiven. The Haibane communicator explains that in order to forgive oneself, there has to be other who believe in that person, to help lead them out of the never ending circle of self-blame, just like the bird has helped Rakka. The conversation ended with the communicator telling Rakka to give Reki a box containing her true name tag after the passing of the year festival.
Once Rakka reaches the old home, Reki tells her that she's sorry but she doesn't feel like going to the city to celebrate the passing of the year with the rest of the Haibane and urge Rakka to just go with the others. Rakka has no choice but to do so and once she's there, she manages to say thank you to many of the townsfolks (Sumika, the guy at the clothing shop, etc) for all of their help ever since her arrival. When Rakka's about to go back to the old home to say thank you to Reki, however, she encounters Midori who asks her where Reki is at the moment. Midori tells her they have to hurry and inform Reki that there will be a surprise for her in the sky tonight and the two races to find Reki. They manage to find her in time so Reki can witness a yellow fireworks that is created by Hyohko. In the midst of the firework, Midori cries as she looks at the white Bellnut that was given to her by Reki, probably realising that she hasn't exactly been a good friend to her old friend. Midori finally reconciles with Reki while the rest of the Haibanes see the wall of the town reverberates and glows around midnight.
Episode thirteen continues from where episode twelve left off, where the passing of the year party has ended and everyone at the old home is sleeping peacefully. Well, everyone but Reki who bids 'goodbye' to all of the Haibanes. Not long after this, Rakka wakes up from her sleep and attempts to find Reki in her room. But when she can't find her there, she decides to open a door inside Reki's room which leads her to a dark room filled with dark, creepy paintings from the ceilings to the floor. From one corner of the room, Rakka can hear Reki makes a sarcastic remark about Rakka being 'Rakka' (meddling) after all. After a while, however, she explains that the paintings are from her nightmare in the coocon and it's here that she'll end her life as a Haibane. Rakka attempts to tell her that she has to end her nightmare and sin now and proceeds to give her the box from the Haibane communicator. Reki opens the box (which says 'Reki - small stone') and finds a letter that tells a story of a girl called Reki.






According to the letter, there was once a young girl named Reki who was deemed an unfortunate fate and lose all of the people that matter to her. Feeling worthless, she called herself 'Reki', which meant 'small stones'. However, the letter that explains her true name says that her true name means 'the one who was run over and torn apart'. As Reki drops the letter and the box, Rakka finds Reki's true name tag which literally means 'the one to be run over'. Reading the letter seems to have given Reki some part of her previous life memory where she recalls of being run over by something that runs on an iron rail (most likely a train) and was torned apart. She said that it was there she abandoned herself. I think this basically means that in her previous life, Reki committed suicide by placing herself on a railroad track.
Reki tells Rakka in her sadness that all of these times, she's been looking for a salvation that does not exist and the show then shows flashback to her life as a young Haibane. It starts with Reki being depressed after Kuramori's death, where she was found by a young Hyohko and Midori (who was afraid/jealous of her initially), how she ended up befriending the two. It was also obvious from the flashback that Midori felt left out by Hyohko once Reki entered their life and when Hyohko left Midori to take Reki to climb the wall and then got hurt, Reki got the brunt of Midori's anger. Reki bitterly says that everytime she trusts someone, she ends up getting hurt so at one point, she stopped trusting anyone. She then proceeds to hurt Rakka with her words, telling Rakka that she treats Rakka kindly because she was hoping to get something in return, a salvation. Rakka at first refused to believe this but when Reki tells her that she made a bet to herself that when Rakka was first born, she'll be nice to whoever will come out of the coocon whether it was Rakka or someone else, Rakka turns sad and leaves.
After Rakka leaves Reki all alone in the room, Reki becomes more and more entraped in her own imagination which seems to have taken a life of its own. She starts seeing an apparition of her younger self which tells her that she wants to be helped. Reki, however, rebuffs the suggestion and tells her that no one is going to help them. Her younger apparition, who slowly turns into stone, however, says that it's because Reki never asks for help. Reki starts to cry and answers that it's because in the past she's been left alone by people. What if she asks for help and nobody helps her? She can't bear the thought that she's really all alone and no one cares about her. As her younger self turns into a stone which then breaks into pieces, Reki starts to hear the sound of a train coming out of the wall and stares numbly at it.






Meanwhile, in the other room, Rakka tries to convince herself to get over her disappointment but seem unable to do so. But then she stumbles onto a diary/sketch book that belongs to Reki and starts reading it. From there she realises that despite what Reki said, she was genuinely excited about Rakka's birth and think that it was a God's gift to her. Rakka then remembers that Reki was the one who's been whispering to her while she was in the coocon. She recalls how Reki tells her how nervous she was because this is her first experience of finding a coocon and that she wants to believe and place her last hope in Rakka. Remembering this, Rakka realises that despite Reki's original intention while she took care of her, Reki eventually came to really care for her and that Reki was sincere about the care and affection that she displayed to Rakka.
Rakka sets out to help Reki but as she enters Reki's room, she finds out that she's not in the room anymore but in some twisted imaginary world that came out of Reki's nightmare. There's the railroad that Reki described as well as the stone path that Reki remembered well. Rakka then sees Reki laying herself down the railroad track but as she's about to go to her friend, the young apparition of Reki attempts to stop her, telling her that Reki can't be saved anymore. Rakka then tells Reki that all Reki has to do is to ask for a help but no one but Reki can do this. Reki seems unable to do so but as the blob-like form of a train is closing in on her, Reki tears up and begs for help. This destroys the young apparition of herself which has been stopping Rakka from going anywhere and in turn, both Rakka and Reki finds themselves back inside the dark room.
However, upon opening her hand which clutches' Reki's name tag, Rakka realises that Reki's name tag has been broken into two (a broken name tag implies a bad luck and sometimes death in some eastern cultures). As she looks up, Rakka sees that for some reason, the blob form of the train has invaded the room and is about to devour Reki. Reki, who seems to have been petrify by fear or her own sadness can't seem to move. Rakka ended up having to run up to her and pushes Reki out of the blob-train way as it makes its way into the room. The blob eventually disperses and disappear from the room, leaving Reki and Rakka to wonder whether Reki has been forgiven. The answer come to them as soon as Rakka opens her hand again and find Reki's previously broken name tag has now been restored and her true name has revert to being 'small stones' instead of 'the one who will be run over'.






Not long after the incident Reki bids goodbye to Rakka because she feels that her day of flight is coming soon. She tells Rakka that since no one is supposed to see when a Haibane is taking his/her day of flight, Rakka must close her eyes. Rakka smiles and close her eyes as Reki departs for the western woods. As Reki transforms into bright light, the other Haibanes in the old home wake up and join Rakka to witness their friend's day of flight. All of them are sad and happy at the same time. And strangely, they all have been expecting this to happen to Reki that day. They later have lunch together with one empty seat to commemorate Reki's day of flight. Reki left many paintings which show her love for the town of Glie. A couple of months later, during one of her patrol inside the old home, Rakka finds a twin Haibane seeds about to hatch in one of the room. An excited Rakka runs out of the room to tell the other Haibanes, giving the series a bittersweet ending.
Okay, I'll first say that I shouldn't have watched this straight after my overseas trip which was quite an emotional upheaval on its own. Watching this left me emotionally drained and sad because some of the issues that I had are quite similar to what these characters have. In some ways, it did provide some kind of a hope that one day I'll be able to overcome my problem just like these characters. Anyway, I think this is quite a solid ending for the series although it is by no mean a perfect one. To begin with, there are so many unanswered questions. I'm fine with some of the unexplained questions such as why is it that climbing the wall is considered a sin, for example. I don't think there can be a satisfactory explanation for that one because when it comes to some religious traditions, I think most people have to accept that you have to forgo certain rational explanation that we as human crave so much. I can also accept the fact that the show never went in depth in explaining the circumstances that caused Rakka and Reki's death in the first place. I suppose this way everyone can come up with their own story of what really did happened to them before their live as a Haibane.
However, I was disappointed that the series failed to explain many other things such as the fossil that Rakka sees in the library. What is the significance of including that scene in there? I probably have to see the series again but so far I couldn't think of a possible answer as to what does the fossil signify and why is that related to the entire series. I also don't understand why the writers did not explain why there are two species of creatures living inside the town of Glie: the Haibanes and the Humans. What are the differences between the two? The sins that they committed in the prior life? How come the humans can stay in the town forever while the Haibanes can move on to their 'day of flight'? I can accept having to come up with my own ideas of what the town of Glie represents and where will the Haibane go once they reach their day of flight. But I must say that not knowing the difference between the humans and the Haibanes makes it very difficult for me to come up with my own theory of what will happen once the Haibane reach their day of flight. I am still of the opinion that the town of Glie is some kind of purgatory for sinners. In Reki's case, for example, I strongly believe that she once felt lonely and useless after some kind of an incident happened to the people that she loved.
This loneliness then drives her to kill herself by placing her body on a railroad track. This renders her as a Sin-bound since committing suicide and unable to forgive oneself is considered as a major sin (at least in some religions). She is then given a second chance and was reborn as a Haibane (albeit one with a black wings). However, Reki's feel of uselessness and loneliness doesn't allow her to move anywhere towards redemption. I also don't think that Reki lied when she mentioned to Rakka that she did use her to make herself feel better. On the contrary, I feel that she was telling the truth. But at the same time, I think that as time goes by, Reki slowly developed genuine feeling for this younger Haibane whose coocon she found inside a dilapidated room. I'm of the opinion that most people don't develop kindness out of nothing. They normally start because there is some kind of incentive to do so (at the basic level, for example, one helps other because he/she wants to be a good friend to that person). However, I do believe that in time, some people do develop genuine feeling towards the person that they end up helping in one way or another. All in all, I'm quite happy with this ending because at the very least, the series did resolve the emotional conflict of the characters which I felt was the major driving plot of this series.
Wow! Umm... that was a interesting ending. I see your point on all the unanswered questions. I hate when animes do that. >.
Yeah, I really didn't like the fact that you didn't get closer on :
A) What was in store after teh Day of Flight
B) The Catacombs in the Wall! Why were essences still there?
C) What the Haibane and Human relation was with Life/death
D)What IS the wall?
Damn that series! Though while watching it, It was good. Looking back now, I feel unfufilled by it as a mini-series.
I just finished watching the series (again) and stumbled onto this page after doing a wordsearch on "bellnuts". And I got the answer to what the yellow color means. Thanks.
Great series. I thought the ending was faithful to what Abe's intention was: to give people a sense of what it feels like to find forgiveness/salvation.
I'm glad the story did not try to give all the answers, but did give the most important ones. For example, we can't forgive ourselves; someone else must do that for us. And we must trust someone besides ourselves.
I wondered about those fossils too. But isn't it just like fossils to remain mysterious? I expect Rakka's new ability to read the hand signs, though, could explain a lot in the future.
As for the mix of Haibane and Humans not being explained: that is because we, the viewers, are still inside the walls when the series ends. We'd probably have to get outside the walls to know the answer. Right?
Seems to me the Wall might be symbolic of God's Law-- protective limitations on life, which can not really be broken. It's we who are broken when we go against such absolutes. But even so, there is still a way over the walls, if we seek and ask for it.
There are other things the walls could be too. That's what's so powerful about art and images.
What a great story!
(The story of Jesus is still the "greatest story ever told", though. 'Cause that one is three dimensional-- maybe four.)
The series heavily influenced by a book called Hard-Boiled Wonderland and the End of the World by Haruki Murakami; the second you pick it up you'll see various relations. Perhaps you'll get some answers there.
Thanks for the rec, Chara. I didn't know about those books before. I'll probably check it out next time I shop at Amazon Japan.
Hi, great episode reviews. I started viewing the anime series midway through, but your reviews were a great help in understanding the episodes that I missed.
As far as the 'humans' in Glie are concerned, they might be 'special angels' or 'part of the Haibane Renmei' (you could call them the 'caretakers of Glie' or 'caretakers of the Haibane') that look like humans, which maintain Glie and help the Haibane cope with life in Glie and atone their sins (by helping these 'humans'), therby helping them reach their 'day of flight'.
Another purpose maybe in providing a peaceful normal earth-like environment for helping the transition of the sin-bound dead of Earth as Haibane through the 'Purgatory state' until their 'day of flight' to Heaven.
It's also interesting to read the lyrics to the Grateful dead song "Ripple". It's fairly obvious that ABe used them as a structure for various elements of the story....he does this in every Anime he does.
(In Lain, for instance, he used elements from Vonnegut's "Mother Night"...which itself is from Goethe...and from" We Were Burning" and the review from Wired magazine on the back cover of the paperback version.)
Note how Dai tells Rakka: "It's not like I'm going away for a long time", and how Rakka is shocked about this line, being aware that it will in fact be Reki who's going away forever soon, and thus she's missing Dai already.
When Reki tells Rakka there's no "always", note that Reki actually revokes her promise to be "always on Rakka's side" (episode 8) in this scene, the one she gave to Rakka like Kuramori did to Reki before. If Rakka had still needed an alarm signal, thus would have been it.
Also note how Reki's halo is dimming while she and Rakka are riding on the scooter, and Rakka can see this; her "I'll do my best" is actually a promise to help Reki (which Reki cannot know at this point and thus comments on Rakka's work in the temple instead).
The actual meaning of the white bell nut is "Thank you, and good bye", as Midori repeats to herself after the firework. Reki tried to "escape" unforgiven by Midori, but thanks to the alarm signal sent out by this bell nut she didn't succeed. In fact Reki sends out quite a few number of "cries for help", such as the present of the lighter to Rakka, and her conversation with Rakka before the festival. Subconsciously Reki wants to be saved, which is impersonated by Young Reki later in episode 13.
There were no "stairs" to climb the wall. Hyouko tried to hit iron wedges into the wall (thus defiling the wall by trying to bypass it function that is actually to provide the Haibane another chance to overcome one of their character flaws before entering the next plane of existance IMHO - that's why it is considered a sin: "The wall is absolute", as the Communicator tells us).
Reki took the blame on herself and was put into prison for some time (we know this from Haibane Renmei doujinji volume 4 about Reki's past).
"Rakka" means "the fall/drop/come down"; "to fall" is "ochiru" (listen to Reki's wording in Japanese during the scene in episode 1!), which would be a more logical name for the girl but wouldn't have allowed for a meaningful True Name for her later. Don't ask me how Reki found the appropriate name from these two (maybe the dropping cigarette ash inspired her) - the Wall must have had its influence on the process.
Your explanation sounds as if the signs on the wall were Kanji, but they aren't. During the anime we never learn the exact Kanji used for Kuu's true name.
As for various humans in the town (the dorm mother, the clock maker, the baker, the thrift shop owner, the Restaurant Cartie owner, and especially Sumika), note that they all might be on the "pay roll" of the Renmei, and thus in fact be working like "angels" to the Haibane, helping them to handle their own issues and finally making their Day of Flight.
Be aware that it was Sumika who gave Rakka the idea how to finally decode the symbols, by telling her they remind her of "hands".
Also be aware how the Communicator actually "hired" Rakka to save Reki, and how he made Reki come to the temple in episode 10 (to get the herbs for Rakka) as to have a final attempt of convincing her to face her trial.
Rakka was not "about to go to Old Home" - she went straight to the factory because Hyouko had promised to help her with Reki. That's where she meets Dai and Midori.
As for Reki's "suicide", she may well have been too desperate to make the one step aside from the train that would have saved her. Reki herself tells us she was too "tired" for doing so...
Kuramori's "death"? You mean her Day of Flight, right?
Note that Reki would have been lost forever had not some mysterious hand opened the window of her room, making the wind reveal the Kuramori painting and - the diary. If there's any appearance of God in this series, it is right in this scene.
Note how Nemu, the girl who loves to sleep, was sitting at the table praying for Reki to safely depart, and how she's looking into the sky during the trailer. She'll have her Day of Flight not long after the end of the series.
The significance of the fossils is that Sumika tells Rakka how to decode the symbols (which are equivalent to the hand signs of the Touga). Thus Rakka is able to decode the signs on Kuu's plaque, and after she can show this to the Communicator, he gives her the two True Names, as she has enough understanding about the nature of Haibane and her own trial now.
ABe Yoshitoshi had contact with Christian religion when he was young, but Haibane Renmei isn't a christian story. It is not the suicide of Reki that is her sin, it is her opinion of being worthless of help. Once she has overcome this one, she's cleared for her Day of Flight. Note how similar Rakka's and Reki's trials are, that's why they got the same riddle and are able to basically save each other in the end (although Rakka did need the help of the bird as well).
I agree with Reki being honest about her "bet". There's only one information source in the story we can trust (as both Reki and Rakka are completely wrong about the nature of the world they're in for most of the time), and that's the letter of the Communicator who states that Reki started with a fake personality which became her true personality over time.
If you rewatch the series, try guessing the trials of Hikari, Nemu, Kana, and Midori (we get a number of clues for these). It will make you watch their character's development more closely.
Yeah, I really didn't like the fact that you didn't get closer on :
A) What was in store after teh Day of Flight
B) The Catacombs in the Wall! Why were essences still there?
C) What the Haibane and Human relation was with Life/death
D)What IS the wall?"
Since ABe, Yoshitoshi took a lot of his inspiration from the "End of the World" half of Murakami, Haruki's "Hard-Boiled Wonderland and the End of the World", he probably also understood the profundity of mystery. Murakami uses a unspecific descriptions for key concepts and feelings in his novels to give such ideas gravity and meaning.
If ABe, Yoshitoshi defined specifically what the Haibane were, the series would lose part of its appeal. Elements that seem currently deep and appealing would become banal. Also, instead of focusing on the human drama of the series, viewers would become focused on the "conspiracy" (what is really happening here?).
I really don't think it's worthwhile to ponder what the wall is, what the Haibane are, why is Glie there, and what happens after the Day of Flight. These are just props for the Haibane characters to navigate around.
Hi. Thanks for doing all your reviews, BTW.
I just finished this series and enjoyed it immensely. It made me giggle with joy and at times, well up with tears - suffice it to say I believe the series also had a profound effect on me.
Somewhere around episode 4 - or very near the beginning, I suddenly started to feel as if the series had too many similarities to Hard-Boiled Wonderland.... I did a bit of checking up later to find that Yoshitoshi admitted to being influenced by this novel. Now, I thoroughly enjoyed and digested the novel some years back, and came into this series without any prior knowledge of any connection. I just want to say that my opinions weren't influenced by other conjectures - not at the time I made them at least. Maybe they will have some strength to stand on then. Maybe not...
But I feel as if there is a strong possibility that the Haibane aren't dead at all. Or in fact that the Haibane are only a facet of the characters that we viewers never get to meet - what really drove this theory home is the last few [or last] episode where Reki is saved by Rakka. I wondered why someone who had committed suicide would have only so long to realise their sins in this sort of purgatory before being confined there forever - and why Reki would repeat that event. I began to think that time passage in the Haibane world is much slower than in the human realm, and that the 2nd death Reki is saved from is actually the only death she would have suffered. That is to say, Reki had not died yet, in the other world, that she was still alive and all of this time, struggling in the Haibane world could be equivocated to struggling in "reality" with her own life and depression, and whether or not to really "end it all."
Rakka has a bird to bring her home, in a sense - so she doesn't totally lose it. Why hasn't she had her Day of Flight - I will get back to.
Reki is saved, doesn't kill herself [for the first real time, maybe, or the second, virtual time, depending on your opinion] and resolves her depression or issues completely. She no longer needs this alternate reality - or persona, or cage, and she can go on, continue with her life starting with her day of flight.
Rakka is still there, maybe because she still has some things to deal with, or isn't ready to leave yet.
Maybe all this is about dual-consciousness, at the very least - or that, along with some other things. But I really feel like the idea that the Haibanes are already dead isn't the explanation I see. Or maybe that death is just another state of consciousness, not an eternal darkness -
I give up.
I think that it's dual-consciouness/simultaneous-awareness and the Haibanes are the only side we are privy to see. Not the "main" characters we are looking for or are so used to seeing.
-k
I love this series. Simply because there are so many questions left un-answered at the end. That was intentional and I believe it's achieved its desiered effect. That everyone come up with their own intereptation using their experiences and beliefs. The imagination is a much more powerful tool when left up to thousands of people, insead of just one creator. You don't need to be givin all the answers all the time. Sometimes you have to create your own.
About the humans question, I remember a line frome one of the first few episodes, where somebody said the town exists for the Haibane. So I'm inclined to think that the humans are actually sent to aid the Haibane in achieving their Day of Flight. Who knows, maybe they are even Haibane from other towns who have achieved their Day of Flight?
It's interesting that English-speaking audiences of Haibane Renmei tend to automatically relate to the story from a Judeo-Christian point of view. When thinking of Glie as a kind of Purgatory, and thinking that God has something to do with Glie's existence, do bear in mind that this is a Japanese product, made first and foremost with a Japanese audience in mind. ABe himself had pointed out that he borrowed concepts from Buddhism, Shintoism and Christianity in creating this story -- in other words, while Rakka and Reki were freed from "sin" by the end of the series, it's not quite the same kind of "sin" that Christians think of.
Glie is also certainly not Purgatory, not in the same way Catholics think of Purgatory in any case. The Haibanes of Glie are not necessarily born there to purge themselves of sins committed in their previous lives -- the only two confirmed cases of Sin-bound Haibane in the series are Rakka and Reki. If you consider the cocoon dreams of the other Old Home Haibanes, I am hard-put to imagine that Kana, Hikari, Nemu and Kuu are suicides as well, as many (Western) fans of the series seem to think.
Nope, the more I think about it, the more strongly I feel that Purgatory is the wrong analogy for Glie. The much more sensible way to think of it, is to accept that Glie is merely one of out of an infinite number of planes of existence in the Buddhist karmic cycle. If you frame it this way, the plot begins to make sense -- Rakka and Reki were specifically sin-bound because of negative emotions carried over from their previous lives, and had to deal with their karma before they can move on to their next existence. Glie isn't some halfway point between Heaven and Earth -- it's just another step in the neverending cosmic cycle of life.
Why are there humans in Glie? The way I see it, they too are souls passing through from one existence to another - contrary to how so many fans seem to feel, I fail to see any hard evidence to suggest that they are part of a "conspiracy", specifically put there by an unknown entity for the sake of the Haibane. Rather, it seems that the humans are just getting on with their own lives the same way the Haibanes are doing so, i.e. as best as they can figure out how to. Haibanes are born as Haibanes because of their karma. So too are humans born as humans in Glie, because of their karma from previous lives. Humans and Haibanes just happen to be coexisting in this current existence, a random occurence that really is no more significant than that. Put it this way -- I think, therefore I am. It's actually slightly absurd to ponder "why" I exist -- I simply do, and that, as they say, is that.
As for fans who feel disappointed about the many mysteries that remained unexplained by the end of the series -- speaking as an Asian, I am consistently puzzled as to why Westerners (esp. Americans) always feel this urgent need for everything to be explained in a story.
If you could explain God's existence, there wouldn't be any need for Faith. And without Faith, God is nothing.
We live in an age where empirical science could provide explanations for a multitude of natural phenomena. And yet, mysteries still exist for which we absolutely have no answers for, e.g. what lies at the other side of a black hole? Is there really life beyond death? etc. etc.
If you can cope comfortably with profound mysteries in real life, why the inability to do so when it comes to reel life? If anything, I strongly commend the open-ended mysteries in Glie, mysteries that continue to inspire nothing but debate with no solid answers in sight. Don't you see? It's precisely because of these "mysteries" that Glie FEELS like a real place, and that Haibanes FEEL like real people.
Why else do you think this short story of 13 episodes, 260+ minutes, has managed to make such a strong and profound impact on you, gentle reader? ;)
Now i understand this anime... after so many years... the first time i watched it in animax i can't understand it... i felt sad and so many questions unanswered about the ending... and i felt unsatisfied by it... after that every night i think about this anime but after reading it all and i understand some of it and the meaning of the entire story... it has deep meaning... oh... so great... this anime is great... thanks...
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